From Stillwater, Oklahoma, The All American Rejects fuse hook-stacked pop-rock with alt‑emo edge, turning diary-level honesty into arena-sized singalongs. Breakout early-2000s hits like Swing, Swing, Dirty Little Secret, Move Along, It Ends Tonight, and the chart-topping Gives You Hell cemented their legacy as radio-dominating storytellers with crisp guitars, buoyant basslines, and Tyson Ritter’s elastic tenor that flips between bite and vulnerability. Across four albums—The All-American Rejects, Move Along, When the World Comes Down, and Kids in the Street—they honed a sound equal parts sugary and sharp, tailor-made for cathartic crowd moments.
In 2025, the band leans into a milestone year of festival headliners and arena co-bills, including a marquee turn at Aftershock in Sacramento and prime spots alongside the Jonas Brothers, plus a late‑year swing through Australia’s Good Things Festival. With Move Along turning 20, fans can expect affectionate nods to that era—deeper cuts beside the anthems—while the group’s recent resurgence hints at fresh setlist surprises and refreshed arrangements rather than a full nostalgia lap.
A typical All American Rejects concert is kinetic and communal: Ritter prowls the stage with theatrical charisma, Nick Wheeler’s melodic leads thread through punchy choruses, Mike Kennerty’s rhythm crunch adds lift, and Chris Gaylor’s drums drive pogo‑ready tempos. Expect crowd-wide call‑and‑response refrains, bright, color‑wash lighting, and dynamic pacing that swings from sprinting bangers to slow-burn ballads you can shout-cry with thousands of strangers. Their live arcs often build toward a euphoric, layered singalong finale—proof that these songs were built for big rooms and open air. Recent shows also feature upgraded visuals, tighter transitions, and fan-favorite medleys that weave classics with deeper tracks, keeping longtime followers engaged while welcoming first-timers with instantly familiar hooks and singalongs.
Lineup for 2025 features the classic quartet—Tyson Ritter (vocals, bass), Nick Wheeler (lead guitar), Mike Kennerty (rhythm guitar), and Chris Gaylor (drums)—the same chemistry that carried them from garage origins to platinum playlists. They have not announced a new studio album, but the band’s 2025 routing signals confidence, renewed momentum, and a fanbase eager for both catharsis and celebration. For more details on the All American Rejects upcoming events, follow the band’s official channels for announcements, setlist teases, and on‑sale alerts: Facebook: https://www.facebook.com/AllAmericanRejects; Instagram: https://www.instagram.com/therejects/; YouTube: https://www.youtube.com/@allamericanrejects; X (Twitter): https://x.com/therejects.
Ready to join the chorus? Visit our website via the ticket link, choose city, and lock in seats in USD. Experience the show of the year – get your All American Rejects tour tickets now!
All American Rejects Tour 2025 – Tour Dates & Cities
From packed festivals to arena spotlights, The All-American Rejects are hitting the road with a coast-to-coast US run plus global arena shows in Australia. Highlights include a four-day takeover at Sacramento’s Aftershock Festival alongside blink-182, Deftones, Korn, and more, select co-headline dates with Jonas Brothers across the Midwest, South, and East Coast, and a December sprint at Australia’s Good Things Festival in Melbourne, Sydney, and Brisbane. Tickets are already selling fast, and all ticket prices are shown in USD at checkout after automatic conversion.
| Venue | Date | Location | Tickets |
|---|---|---|---|
| Discovery Park | Oct 2–5, 2025, 11:55 AM | Sacramento, CA, USA | [GET TICKETS]() |
| Enterprise Center | Oct 8, 2025, 7:30 PM | St. Louis, MO, USA | [GET TICKETS]() |
| Grand Casino Arena (formerly Xcel Energy Center) | Oct 10, 2025, 7:30 PM | Saint Paul, MN, USA | [GET TICKETS]() |
Scan the All American Rejects tour dates, lock in your seats early, and don’t miss your city. Whether it’s the Sacramento festival surge, a Southeast arena night, or the Australia run, these shows promise loud, nostalgic, unforgettable moments for every fan.
Tickets for All American Rejects Tour 2025
Official All American Rejects tour tickets are sold through venue box offices, authorized primary ticketing platforms, and each festival’s website. For the smoothest purchase and guaranteed validity, start from our curated listings and follow the official purchase button—Experience the show of the year – get your tickets now! Avoid screenshots and third-party sellers that do not offer verified transfers, and always confirm delivery type (mobile-only or physical). International buyers can still check out in local currency; your bank will convert to USD automatically.
Prices vary by city, seat, and event format. For arena dates where The All-American Rejects appear with the Jonas Brothers, typical USD ranges are: upper-level seats $55–$120, lower-level $120–$220, floor/GA $180–$350, and VIP packages $300–$850. For Aftershock in Sacramento, expect roughly $170–$220 for single-day GA, $300–$450 for single-day VIP, $430–$750 for 4-day GA, and $700–$1,500 for 4-day VIP (USD). For Australia’s Good Things Festival, recent single-day GA has landed near $130–$170 USD and VIP near $250–$400 USD after conversion. Major markets and weekend dates trend higher, and taxes plus service fees can add 10–20% to checkout totals.
VIP and bundle options differ by concert. Common perks include early entry, exclusive viewing areas, lounge access, commemorative laminate, limited-edition merch, and dedicated check-in. Select arena dates may offer soundcheck access or photo opportunities with the headliner; a few stops list All American Rejects-signed items or Q&A add-ons. Festival VIP generally emphasizes better sightlines, shaded lounges, private restrooms, and expedited entry. Always read the inclusions and age restrictions before buying.
Smart buying tips can save money and stress: book early before tiers sell out; register for artist, venue, and credit-card presales; create ticketing accounts in advance; verify seat maps and sightlines; use multiple devices at on-sale time; check local venue rules (clear-bag policies, cashless concessions, transfer limits); confirm ADA seating needs through the box office; set price alerts for official resale; and consider multi-day passes if you plan to attend more than one day.
Discounts exist but vary by market. Some arenas offer student or youth tickets with valid ID, limited “rush” releases near showtime, or group rates for parties of 10-20+. Occasional military, teacher, or first-responder promotions appear in select cities. Family bundles are uncommon at festivals but may surface for arena seating on slower dates. Always compare bundle costs against face value to ensure the extras truly add up. Check our site for live availability, updated USD pricing, venue-specific advisories, and alerts daily.
Setlist Highlights & Concert Experience
The All-American Rejects’ current shows balance instant-classic hits with a handful of newer cuts, tailored to the slot: tight, high-energy festival sets at Aftershock or Good Things, and fuller arena nights when they’re billed with Jonas Brothers. Expect a brisk open with Dirty Little Secret or Move Along to spark a mass singalong, followed by early-2000s fan favorites like Swing, Swing and My Paper Heart that keep the momentum pulsing. Mid-set, the band often threads in latter-era singles—Sweat and Send Her To Heaven among them—alongside deeper album tracks for long-time fans, before returning to can’t-miss anthems.
Two songs practically guaranteed are It Ends Tonight and Gives You Hell. The former becomes a communal, phones-aloft moment, with Tyson Ritter stretching phrases so the crowd can carry the chorus; the latter is typically a late-set or encore climax, complete with call-and-response and a final shout that rattles the rafters. Other staples likely to surface include I Wanna, Beekeeper’s Daughter, The Last Song, and the surging closer Move Along if it didn’t open the night.
Production scales with the venue but favors clarity and punch. Guitars are mixed forward with glossy harmonies, while Chris Gaylor’s kick and snare drive the beat for handclaps and pogo jumps. Lighting directors lean into a neon pop-punk palette—amber strobes on choruses, icy blues for ballads—and arena dates add a panoramic LED backdrop that flashes archival tour photos, lyric hooks, and saturated graphic loops. Side screens give close-ups of Tyson Ritter’s bass lines and Nick Wheeler’s lead guitar so the back rows feel onstage.
Signature elements elevate the arc. An acoustic interlude typically brings Ritter and Wheeler to stools for a stripped take on Swing, Swing or It Ends Tonight, spotlighting melodies without the distortion. The band also enjoys playful bait-and-switch intros—teasing a verse with half-time drums before slamming into the full-tempo chorus—to ignite pits without losing pop sheen. On select festival stages, expect CO2 bursts and confetti rather than heavy pyrotechnics, aligning with event safety policies yet still delivering a payoff.
Encores are often surprises by design, but The Last Song and Gives You Hell remain reliable bows, sending fans out hoarse, smiling, and already checking the calendar for the next All American Rejects show. Whether you catch them in a sun-baked afternoon slot or under arena rafters, the experience feels cathartic, tuneful, and refreshingly unpretentious—proof their songs still hit like new for audiences.
Lineup: The All-American Rejects are Tyson Ritter (lead vocals, bass), Nick Wheeler (lead guitar, keys, programming, backing vocals), Mike Kennerty (rhythm guitar, backing vocals), and Chris Gaylor (drums, percussion). Together, this Stillwater, Oklahoma quartet blends pop hooks with rock energy and punk attitude onstage and in the studio.
Origins: Ritter and Wheeler met as teenagers and began writing in 1999, recruiting friends to round out the band. Their self-titled debut in 2002 introduced “Swing, Swing,” propelling them from Oklahoma clubs to national radio. Years of touring forged tight chemistry and a reliable live reputation.
Sound and songwriting: The group’s signature mixes bright melodies, stacked harmonies, crunchy guitars, and cleanly programmed textures. Ritter’s emotive tenor and Wheeler’s meticulous arrangements anchor songs that balance confessional lyrics with big, shout-along choruses. The band writes collaboratively, with Ritter and Wheeler at the core, while Kennerty and Gaylor shape the rhythmic drive that gives the hooks their punch.
Production and creative team: Across albums they have partnered with elite producers, including Howard Benson on Move Along, Eric Valentine on When the World Comes Down, and Greg Wells on Kids in the Street. Wheeler also engineers and co-produces, bringing a detail-focused ear to guitar tones and synth layers. Longtime live crew help translate studio precision to arenas, with carefully programmed cues, vocal layering, and dynamic lighting that heighten sing-along moments like “Dirty Little Secret” and “Gives You Hell.”
Accolades and milestones: Move Along earned multi-Platinum certification, while the debut reached Platinum and When the World Comes Down went Gold in the United States. “Gives You Hell” became their highest-charting single on the Billboard Hot 100 and finished as the top song of 2009 on Billboard’s Mainstream Top 40 chart. Other hits—“Move Along,” “It Ends Tonight,” and “Dirty Little Secret”—garnered multi-Platinum or Platinum status and enduring radio play. The band has sold millions of records worldwide and headlined or co-headlined major festivals and arenas.
Legacy and today: Known for charismatic crowd interaction, the Rejects’ shows invite communal catharsis built on call-and-response vocals and handclap rhythms. After early-2010s quiet spells, they roared back with packed tours, high-profile festival slots, and fresh music that honors their hook-first ethos. Alongside music, Ritter acts in film and television, Kennerty produces punk and alt-rock records, and Gaylor contributes as a session drummer and advocate for Oklahoma’s music community, extending the band’s creative footprint beyond the stage. Their story continues to resonate worldwide.
All-American Rejects 2025 Tour: Frequently Asked Questions
Where can I buy tickets?
Use the link on our website to purchase official All American Rejects 2025 tour tickets quickly and safely. We partner with trusted primary sellers and verified resale when inventory is limited, so you always see real-time availability at fair market prices in USD. Choose your date, seat, and checkout securely on mobile or desktop. Avoid screenshots or third-party DMs. Experience the show of the year – get your tickets now!
What is the average ticket price?
Prices vary by city, venue, and event type, but expect these USD ranges before fees: arena shows typically run $55–$220 for standard reserved seats, with premium floor or lower-bowl options sometimes $250–$400. Major festivals (like Aftershock) price single-day entries around $120–$200 and four-day passes roughly $420–$600. Australian dates list in AUD at checkout, but our site shows converted USD estimates, usually $150–$220 per day. Taxes, facility charges, and service fees add approximately 10–20%.
Are there VIP options?
Yes. Availability depends on the date: arena shows may offer early-entry or premium seat bundles, lounge access, commemorative laminates, or limited merch items, usually $150–$400 USD above base tickets. Festival VIP is managed by the festival (e.g., viewing platforms, shade lounges, dedicated bars, and private restrooms), commonly $250–$450 per day, with multi-day bundles $900+. Meet-and-greet or photo op opportunities vary by promoter and are not guaranteed; always review the exact inclusions before purchase.
How long is the concert?
Set lengths vary by event type and curfew. Headline arena shows typically run 90–110 minutes, including a short encore. Festival appearances are shorter to fit multi-artist schedules: expect 45–75 minutes depending on billing. Co-headline nights split time more evenly, sometimes 70–90 minutes each. Doors generally open 60–120 minutes before the first opener, and full show runtime with openers can span 3–4 hours. Always check your event’s schedule the week of the show.
Can children attend?
Most arena concerts are all-ages, but policies vary by venue and country. Some events require minors to be accompanied by a parent or guardian, and a few festivals set minimum ages (for example, 15+ or 18+) due to licensing. Everyone, regardless of age, generally needs a ticket. Consider child-sized hearing protection, and check whether strollers are allowed. Curfews and late end times may apply on weeknights, so plan transportation home in advance.
What time should I arrive?
Aim to arrive 60–90 minutes before showtime, earlier for General Admission floors or festival gates. This cushion covers parking, will-call pickup, bag checks, metal detectors, and finding your seat or a good spot. For high-demand nights marked “selling fast,” arrive 90–120 minutes early. If you have VIP early entry, follow the email instructions and bring photo ID. Check the venue site or app the day before for any updated door times.
Can I bring a bag, camera, or food?
Most arenas follow a clear-bag policy (up to 12 x 6 x 12 inches) plus small clutches; backpacks are commonly restricted. Professional cameras (detachable lenses), tripods, and audio recorders are typically prohibited, but smartphones are fine unless stated otherwise. Outside food and drinks are usually not allowed; sealed water bottles or empty reusable bottles for refilling may be permitted at some venues and festivals. Always confirm your event’s posted policy before departing.
Will there be merchandise?
Yes. Official tour merchandise stands will offer shirts, hoodies, hats, posters, patches, and occasional limited drops. Typical prices in USD: T-shirts $35–$50, hoodies $70–$100, hats $30–$45, and posters $20–$40, though festival pricing can differ. Many venues are cashless; bring a card or mobile wallet. Lines are usually shortest right when doors open and immediately after the show. If an item sells out onsite, check our website’s post-show online inventory.
Are the concerts accessible for disabled guests?
Venues on the All American Rejects tour provide accessible seating, companion seating, step-free entries, accessible restrooms, and designated ADA/accessible viewing areas where applicable. For festivals, platforms and pathways are typically available, with dedicated customer service tents. To ensure accommodations, buy accessible tickets from the start, or contact the venue box office immediately after purchase. Many sites offer assisted listening devices and ASL interpreters by request; submit requests at least two weeks in advance and arrive early for positioning.
Can I resell or transfer my ticket?
Most tickets are mobile and transferable through the original seller’s account; use the official transfer button to send seats securely to friends. If you can’t attend, list on the same marketplace to resell at a fair USD price, respecting any price floors or local laws. Avoid screenshots, PDFs, or meeting strangers with paper printouts—dynamic barcodes refresh to stop fraud. Some events restrict resale or delay transfers until close to show day; always check your order. Name changes may require ID verification too.